digital footprint workshop reflection
How to gain agency in the digital world?
On Sunday January 31st, Chinouk hosted our third Therapy Session: Digital Footprint Workshop. During this workshop participants analysed their personal digital footprint by investigating their scrolling behaviour on social media. Afterwards, trying to find and highlight interrelated (subliminal) commercial structures within the digital landscape. During the session the participants translated their findings into something visually tangible, that reinterpreted ones digital environment.
Reflection participant Daniela
"Considering your digital footprint as a creative resource is a great starting point of the workshop. It has sparked my interest in using it more effectively and more creatively. The problem is, that you can only play around with the parameters given by the system and within the limits of the system. I still don’t have a final answer to this question, but elements for further investigation. The workshop triggered many thoughts — and links to past work, since I have been doing quite extensive research on photography and image theory previously."
Work in progress Daniela
Reflection participant Scatha G.
"For the project, I narrowed my focus to the presentation of my Instagram saved posts and Instagram album of downloaded images, and the main Home page and Instagram Feed. I found a continuity in the content and visual texture, imagery and style of my downloaded Instagram images and my direct feed. Interestingly, the Home page content I did not see an exact representation of my actual interest or engagements on Instagram. It reveals itself as a very generic content bank. Specifically, I do not access content links or explore from the home page.
Looking at the 'saved' posts, I found this to be the space in which I was both most exposed, as I use the save to make sure I get more of "content like this" in my newsfeed. While I'm not actually sure that the system is getting it right in my general feed, I can see that it contains a wide spread of close information and interests, including all range of items I have casually and intentionally "saved".
Reflecting on this all- I think the scraping and critical examination of the digital space is an excellent practice and experience. I found it difficult to examine the material, when looking over the saved files, I realized how many of them had a strong impact and appeal in my own personal narrative. The imagery connects and resonates with my sense of aesthetics. In that sense, I am comfortable with what has been revealed.
The action I am taking at this time is to make an active review of my "saved" imagebank on Instagram, as I find this archive to be the most revealing and in that sense, the only aspect that needs to be refined, in order to keep the references current. I could see that a hard edit of Saved posts every 6 months could change how content is presented, particularly in the home page.
At this point, these are all ideas. But I am gleefully unsaving posts, and feel energized with new tools and approach to thinking about the dynamics between myself as receiver and the system as presenter of content. The discovery of ideas and techniques to approach my own relationship with media platforms gives back a sense of personal autonomy. I will continue to explore how I can customize my relationship to the online systems I interact with in a way that empowers my agency."
Longread 03 - part 3 by Chinouk
Photo: Algorithmic Gaze workshop result (by Participant Anya Su) 2020. Chinouk Filique de Miranda
When you want to get a better understanding of this complex digital landscape, you can now read the third part of this intervention's multilogue 'Online fashion and the illusive act of identity creation'.